Jay Richardson: Love is still around for the boys from Clydebank
The Wets have crooned Goodnight Girl a final time before of course, reforming in 2004 to modest success.
Never a band with any tremendous surplus of cred – Pellow’s broad, boyish grin made him a ludicrously handsome frontman – they don’t have much cool or artistic cachet to squander. Love Is All Around will never attain the anthemic status afforded to The Proclaimers’ 500 Miles, as, lest we forget, it was the Scot who perished in Four Weddings and a Funeral.
How those of us watching in the cinema envied him.
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Hide AdRegardless, the eyes and ears of Scotland will be keenly trained on Pellow and Co come July when they resume the stage.
Modern celebrity embraces third acts and Pellow, the comeback kid from Clydebank, ought to be guaranteed a warm welcome from his ain folk.
His drug addiction has been widely publicised but he fed that experience into the musical Jekyll and Hyde, which drew poignancy from the young, twinkly-eyed pop idol turned slightly raddled song-and-dance man.
No-one expects Wet Wet Wet to resume the million-record selling glories of their heyday..
But I rather suspect there’s plenty of love left all around for them yet.